The challenge of the “H+F” project was to define the house from the inside out, focusing on two Mole armchairs by Sergio Rodrigues, bringing its original spirit of delight, as a refuge from the daily grind, the link of rest.

Proposing that this environment be welcomed by framed landscapes, integrating nature as an extension of the senses, the residence has 330m² of built area, but what stands out are the large gardens that surround the central axis.

Then, the diagrams with the main blocks began, the sectorization at the back by the bedrooms in a vertical rectangle, spaced by this large span composed of ceiling and glass, and at the front by the garage and services with the same design as the back, sheltering the home in its most ancient sense, as an unfolding of the body and protection by the walls.

Now in the center, on a large solid slab in a horizontal format, the embryo: the setting of the house formed by the large living room that integrates the living and dining areas, filled with Brazilian furniture that was the main concept for the development of the project, where in this aspect, with the freedom of the walls, what became shelter were the curves and lines of the furniture.

A house proposed for a couple of engineers who find, within Brazilian architecture and furniture, the lines that convey hospitality and their customs.

The living room to receive,

The kitchen to welcome.

The home turns imagination into a living power of living.

In this way, rescuing the value of experience as a production of senses and feelings that have been externalized. Each line represents the love captured through the dreams of the clients; only with this sublime element was it possible to create an architecture that transcends its function.

Each piece of furniture came in like a musical note, creating a bossa nova atmosphere and so on...

And with this harmony and sound, we end with Tom Jobim in these causal mismatches:

“All I know is that I'm crazy about her and for me she's too beautiful”.